re20 vs re320

It was interesting. Similar style to the SM7B and the RE20, but it does have a built in preamp that can be turned on with phantom power. Our only disappointment was that the added setting does not add in another recording direction. Now that you have an idea of what you are looking for, let's jump into the specs offered between RE20 vs RE320. This company has been producing popular and quality microphones for a while now, and because of that, they have a lot of options. It just sounds a bit different from a traditional flat broadcaster mic and may need some getting used to. Understandably, the kick drum filter was all wrong on this app, as it removed precious tone. Finally, it is wired, so portability is low. Nonetheless, Divakar and Dave still ultimately preferred the RE320 with kick filter over the RE27, citing its “fullness and warmth,” further revealed in webclips 4A (RE320) and 4B (RE27) as well as webclips 5A (RE320 with filter) and 5B (RE27). Good mic, not quite a 20 but is respectable. This will be my first rodeo with these types of mics and all I know is I should probably pick something up like a Focusrite Scarlet 2i2 USB Audio interface. As long as it isn't rolling around in your bag or getting knocked around on the table, though, we do not expect there to be an issue here. It just works. That’s my setup. I'll probably also pick up a Rode PSA1 Arm. Works great for kick drum and toms as well, for which it has a special EQ mode that scoops out the boxy sound and keeps the unhyped oomph plus the attack. It also gives both your listeners and you the quality you need to be a part of the conversation and bring the most to the podcast. Divakar even says of the RE320, “That’s the way I’m supposed to sound.”. It also helps mediate the bass in your voice as you approach the mic. Both microphones are dynamic mics and you might want to look into getting a Cloudlifter CL-1 in the future. It is a heavier microphone, which adds to its durability and build quality as well as makes a good stand necessary. Like its sibling the RE27N/D, the RE320 uses Neodymium magnets within the moving-coil cartridge. Besides, RE320 gonna have hotter signal, which means you prolly won't need Cloudlifter to boost it. Another thing that is worth noting is that the mic has a very high degree protection from RFI, including high-pitched interference from cellphones. Though the exterior of this mic is nearly identical to that of the RE20, most other aspects will have some tweaking. The RE20 features Variable-D technology to eliminate the waxing and waning of your voice as you move around the mic. The design is about what you would expect. They can be switched over to record more instrument- or music-based audio (essentially you are getting two mics in one, so no matter what you foresee using it for, it probably has you covered). I tried their other effort, the RE-27. after all, that's why a person purchases something. The microphone you use is the physical method you have to reach your audience — it conveys every tone and intonation. This mic does not offer more directional settings, though, so you'll have to make do with the standard front-recording style — which may not impede you at all depending on your recording style. Thank you so much <3. It is capable of producing a clean sound with remarkable clarity white also retaining the lows. Doesn’t matter what pre-amp you choose at this price point, there’s just not enough clean power to really get satisfactory volume and presence without one even with the gain cranked to 11 (which will butcher your audio quality). Between the RE20 vs RE320, the 320 is the model Electro Voice came out with in an attempt to provide the power of the RE20 with a smaller budget in mind. Both mics are great and sound really good. I stream with the RE20, boosted with that clean Cloudlifter gain, to the MG10XU. But it's cheap, it works and it works fine. This dynamic mic sells for only $449, and it boasts highly accurate sound reproduction. The RE320 will cost you less, not just because of the mic cost, but it also runs hot enough to where the CL-1 is optional IMO. While this mic also toggles between vocals and instrumental audio with two audio settings, it adds a built-in pop filter to make up for the slightly narrower frequency range. Though very similar in looks to the RE20, one main difference you will notice is the weight. It just feels like a studio piece of equipment. The decision to keep the Variable-D function in this mic helps enormously in both those areas as well. E-V’s updated version of the venerable RE20 is a certifiable rockin’ hit. Press J to jump to the feed. Dynamic microphones generally require a bit more gain than condenser mics and the CL-1 gives you more clean gain. Audio-Technica BP40 vs Electro-Voice RE320 vs Shure SM7B vs Heil PR40 vs Rode Procaster vs Art D7. There is an adjustable stand for use on a table, and the mic can work with other stands as well. In my personal experience, the RE320 sounds great without any external EQ. Learn more about these two through our RE20 vs RE320 comparison. On loud electric guitar, the RE320 does a fine job; it offers more bottom than a SM57, less high-mids and more muscle through the low mids. Press question mark to learn the rest of the keyboard shortcuts. It is wired, so not very portable, but not confusing enough to cause problems. Update your browser to view this website correctly. Having a portable microphone may or may not be a priority to you. So I got a pair of M88s that are perfect for that job. This mic helps eliminate background noise, though what it does catch can be tinny, along with the higher highs. Like the RE20, this mic strives to eliminate background noise and focus on vocals (or instruments depending on your setting). And if you want to go even deeper, you might take a look at dbx 286s thingy, check it on youtube. Its additional bottom end seems useful on both kick and VOs; its top end is just as smooth and broadcast-worthy as the RE20; its Variable D proximity effect control is tuned just right; and the RE320 can handle all the abuse of rock ’n’ roll. This essentially makes recording vocals and instruments like drums and acoustic guitars a natural choice. In the studio, I found the RE320 to have a sonic signature best suited for rock recording, where higher-end note definition is arguably as crucial as thump and the fundamental. I don't think the 320 has an output transformer. Some background noise and highs can be tinny. Divakar Shukla of Charlotte’s WEND 106.5 FM evaluates the new RE320 alongside the original RE20. Regardless of the similarities, there are some pretty cool features we want to highlight. It is lighter than its forerunner, which may be a pro to some and a con to others as it does decrease its durability slightly. We found the RE320 to have a little more bottom than a RE20, with some scooping at 300 to 800 Hz and nearly the same top end (RE320 and RE20, webclips 2A and 2B, respectively).

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